1. |
Knee (Lover)
09:23
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2. |
Core (Pendulum)
13:32
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3. |
Limb (Leaf)
17:33
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4. |
Back (Peacock)
11:02
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5. |
Neck (Folds)
09:40
|
Paul Abbott London, UK
Musician and drummer playing with acoustic drums, synthetic sounds, algorithmic composition, live performance and writing.
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supported by 7 fans who also own “Nsular”
Despite the length and variety offered by this release, a few general techniques or patterns are present throughout. Most notable is the interaction between Thomas and Wright, with the former playing in his signature dense and percussive style while the latter provides bursts of gritty notes on the alto. Wright’s wailing is an unconventional counterpoint to Thomas’s classicism. https://avantmusicnews.com/2024/04/06/amn-reviews-%d8%a3%d8%ad%d9%85%d8%af-ahmed-giant-beauty-2024-bandcamp/
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supported by 6 fans who also own “Nsular”
XT regularly push the boundaries of how the limits of the new can still be explored in music today, Pat Thomas is a direct descendant of the piano giants of the second half of the 20th century; here they converse together with the music and thinking of Cecil Taylor. Free jazz of the future age.
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supported by 5 fans who also own “Nsular”
Pretty compositions and nice interplay. The album shows Okkyung Lee's melodic sides.
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The prolific drummer and producer, a veteran of the Philadelphia and Antwerp club scenes, proves his rhythmic mastery once again.
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The Summer Passed in Monotone
by Thom Nguyên
Thom Nguyên's textural drones don't sit static and heavy—instead, they unfurl and come alive over the course of this energizing new LP.
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The self-described “SpongeBobs of Belgian jazz” balance lush beds of synth with knotty instrumentation.
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PP-04
by Ryu Hankil, Michael Speers
supported by 5 fans who also own “Nsular”
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